浅析声乐表演中的怯场心理

毕业论文

摘 要

演唱是1门表演艺术，离不开舞台的实践。1个歌唱者，经过数年的艰苦学习和磨练，都希望有1天能够走上神圣的舞台1展歌喉，实现心中多年的梦想。

然而，舞台是残酷的，往往无论你上了多少声乐课，无论你在台下唱得多么好，多么轻松自如，到了台上1般都会感觉到口干舌燥、4肢发抖、身体僵硬、浑身都失去控制1样，原先1切正常运转的机能瞬间都停止了运作，甚至连原本背得烂熟的歌词也不知去向。可见，实践中自信、积极的心理状态是演唱成功的关键。

本论文主要是在目睹了诸多演唱者在表演时怯场这1现状后，结合具体事例从多个角度分析了怯场的种种表现及其危害并阐明了克服怯场心理的重要性，随后对怯场心理产生的原因作了详细分析，最后对如何培养和训练良好的歌唱心理进行了初步探讨。

关键词： 歌唱心理；怯场；心理素质；声乐表演

ABSTRACT

Singing is a type of performing and along with the practice on the stage. after sev シeral years’ hard studying and practice, all singers dream to be on the sacred stage to show their agreeablevoice, realizing their dreams, hidden in their heart for many years.the stage, however, is cruel.no matter how many vocal music lesson۵s you have ,whatever you did well behind the scenes, it feels dry in your mouth or numb throughout your body, the body functionas that operated in normal before stop from runing normally in an instant and even forget your lyrics that quite familiar with you originally, as if your body were out of control.so, confidence in prictice and active state of your mind is key to succeeding in singing. after bearing witness to the present situation that many singers have stage-fright, Writer combine wih specific examples to analyze various behaviours and its harms from different angles and ☒expound the significance of overcoming the stage-fright.a⚥nd next, writer analyzes the causes of the stage-fright with care. at last, writer explore primarily the way to cultivate and train good psych تology for singing.

Key words: psychology for singing; stage-fright; quality of psychology; vocal music performing