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短片励志文章(一)

田径运动会作文

短片励志文章(二)

催人泪下的励志短片

谨以此片，献给80后出生的同学们，

那些珍贵的记忆、难忘的动画、熟悉的歌曲、

青葱的岁月，让我们难以忘记……

回忆80后的一生

生存哲学：面对苦难

学习榜样

奋斗不息

老班教育 润泽未来 更多链接

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我爱物理

学好功课

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爱心教育 佛法禅修

我的更多文章：

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短片励志文章(三)

短片励志文章(四)

短片励志文章(五)

SHORTER PROSE PIECES

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PIECES

Oscar Wilde

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PHRASES AND PHILOSOPHIESFOR THE USE OF THE YOUNG

The first duty in life is to be as artificial as possible. What the secondduty is no one has as yet discovered.

Wickedness is a myth invented by good people to account for thecurious attractiveness of others.

If the poor only had profiles there would be no difficulty in solving theproblem of poverty.

Those who see any difference between soul and body have neither.

A really well-made buttonhole is the only link between Art and Nature.Religions die when they are proved to be true. Science is the record ofdead religions.

The well-bred contradict other people. The wise contradict 旅心网themselves.Nothing that actually occurs is of the smallest importance.

Dulness is the coming of age of seriousness.

In all unimportant matters, style, not sincerity, is the essential. In allimportant matters, style, not sincerity, is the essential.

If one tells the truth one is sure, sooner or later, to be found out.

Pleasure is the only thing one should live for. Nothing ages likehappiness.

It is only by not paying one's bills that one can hope to live in thememory of the commercial classes.

No crime is vulgar, but all vulgar成长路上的阳光作文ity is crime. Vulgarity is the conductof others.

Only the shallow know themselves.

Time is waste of money.

One should always be a little improbable.

There is a fatality about all good resolutions. They are invariably madetoo soon.

The only way to atone for being occasionally a little overdressed is bybeing always absolutely overeducated.

To be premature is to be perfect.

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Any preoccupation with ideas of what is right or wrong in conductshows an arrested intellectual development.

Ambition is the last refuge of the failure.

A truth ceases to be true when more than one person believes in it.In examinations the foolish ask questions that the wise cannot answer.Greek dress was in its essence inartistic. Nothing should reveal thebody but the body.

One should either be a work of art, or wear a work of art.

It is only the superficial qualities that last. Man's deeper nature is soonfound out.

Industry is the root of all ugliness.

The ages live in history through their anachronisms.

It is only the gods who taste of death. Apollo has passed away, butHyacinth, whom men say he slew, lives on. Nero and Narcissus are alwayswith us.

The old believe everything: the middle-aged suspect everything; theyoung know everything.

The condition of perfection is idleness: the aim of perfection is youth.Only the great masters of style ever succeeded in being obscure.

There is something tragic about the enormous number of young menthere are in England at the present moment who start life with perfectprofiles, and end by adopting some useful profession.

To love oneself is the beginning of a life-long romance.

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MRS. LANGTRY AS HESTER

GRAZEBROOK

It is only in the best Greek gems, on the silver coins of Syracuse, oramong the marble figures of the Parthenon frieze, that one can find theideal representation of the marvellous beauty of that face which laughedthrough the leaves last night as Hester Grazebrook.

Pure Greek it is, with the grave low forehead, the exquisitely archedbrow; the noble chiselling of the mouth, shaped as if it were themouthpiece of an instrument of music; the supreme and splendid curve ofthe cheek; the augustly pillared throat which bears it all: it is Greek,because the lines which compose it are so definite and so strong, and yetso exquisitely harmonized that the effect is one of simple loveliness purely:Greek, because its essence and its quality, as is the quality of music and ofarchitecture, is that of beauty based on absolutely mathematical laws.

But while art remains dumb and immobile in its passionless serenity,with the beauty of this face it is different: the grey eyes lighten into blue ordeepen into violet as fancy succeeds fancy; the lips become flower-like inlaughter or, tremulous as a bird's wing, mould themselves at last into thestrong and bitter moulds of pain or scorn. And then motion comes, and thestatue wakes into life. But the life is not the ordinary life of common days;it is life with a new value given to it, the value of art: and the charm to meof Hester Grazebrook's acting in the first scene of the play last night wasthat mingling of classic grace with absolute reality which is the secret ofall beautiful art, of the plastic work of the Greeks and of the pictures ofJean Francois Millet equally.

I do not think that the sovereignty and empire of women's beauty hasat all passed away, though we may no longer go to war for them as theGreeks did for the daughter of Leda. The greatest empire still remains forthem--the empire of art. And, indeed, this wonderful face, seen last nightfor the first time in America, has filled and permeated with the pervadingimage of its type the whole of our modern art in England. Last century it

童话故事作文100字

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was the romantic type which dominated in art, the type loved by Reynoldsand Gainsborough, of wonderful contrasts of colour, of exquisite andvarying charm of expression, but without that definite plastic feelingwhich divides classic from romantic work. This type degenerated intomere facile prettiness in the hands of lesser masters, and, in protest againstit, was created by the hands of the Pre-Raphaelites a new type, with itsrare combination of Greek form with Florentine mysticism. But thismysticism becomes over- strained and a burden, rather than an aid toexpression, and a desire for the pure Hellenic joy and serenity came in itsplace; and in all our modern work, in the paintings of such men as AlbertMoore and Leighton and Whistler, we can trace the influence of this singleface giving fresh life and inspiration in the form of a new artistic ideal.

短片励志文章(六)

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初中第一次月考，我是全班倒数第五名。

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